![]() ![]() ![]() Might I say, MTR is not the ‘gamechanger’ in the chronology of sound recording, it is the genesis. The history of multitracking is a treasure trove of anecdotes that bear witness to the love and labor of entertainers, entrepreneurs, and audio technicians. Our endgame is multitrack recording (MTR), what we call multitracking or simply tracking in today’s parlance. While he may have died in obscurity, his invention became the point of departure for humans to pursue sophisticated mediums of recording sounds. We’ll take a journey today, one whose foundation was laid by Édouard-Léon Scott de Martinville, a French librarian who invented the phonautograph in the late 1850s. I see the book of nature opened before the gaze of all men, and, however small I may be, I dare hope to be permitted to read it.” – Scott de Martinville I believe a synthesis is also possible through which the tracing of the words is transformed into a series of signs by mechanical means, and I propose to attempt it. Each trace of speech that I submit today analyzes the voice: its tonality, its intensity, its timbre. “Gentlemen, we are in the presence of an invention being born-an entirely new graphic art springing from the heart of physics, of physiology, of mechanics. Also consider checking out our article on The Basics Of Tape/Magnetic Recording.Discover the history of multitrack recording.When did multitracking become the norm?.How was magnetic tape recording discovered?.Disclosure: We may receive commissions when you click our links and make purchases.
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